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    <subfield code="a">Clayborn, Kate.</subfield>
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    <subfield code="a">The Other Side of Disappearing</subfield>
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    <subfield code="c">2024.</subfield>
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    <subfield code="a">HTML:&lt;b&gt;From the acclaimed author of &lt;i&gt;Georgie, All Along&lt;/i&gt; and &lt;i&gt;Love Lettering,&lt;/i&gt; a pitch-perfect, radiantly transporting love story about an unexpected road trip, true crime obsessions, and hard won vulnerability...&lt;br /&gt; "Poignant, observant, tender, and deeply romantic. Clayborn takes what she does best and goes deeper, deftly braiding mystery and family drama with an absorbing romance in her trademark lyrical voice. This book is everything." —CHRISTINA LAUREN, &lt;i&gt;New York Times&lt;/i&gt; bestselling authors of &lt;i&gt;The True Love Experiment&lt;/i&gt;&lt;/b&gt;&lt;br /&gt; Hairstylist Jess Greene has spent the last decade raising her younger half-sister, Tegan—and keeping a shocking secret. Ever since their reckless mother ran off with a boyfriend she'd known only a few months, Jess has been aware that he's the same accomplished con man who was the subject of a wildly popular podcast, &lt;i&gt;The Last Con of Lynton Baltimore&lt;/i&gt;.&lt;br /&gt; Now thirty-one, Jess didn't bargain on Tegan eventually piecing together the connection for herself. But Tegan plans to do exactly what Jess has always feared—leave their safe, stable home to search for their mother—and she'll be accompanied by the prying podcast host and her watchful, handsome producer, Adam Hawkins. Unwilling to let the sister she's spent so much of her life protecting go it alone, Jess reluctantly joins them.&lt;br /&gt; Together, the four make their way across the country, unraveling the mystery of where the couple disappeared to and why. But soon Jess is discovering other things too. Like a renewed sense of vulnerability and curiosity, and a willingness to expand beyond the walls she's so carefully built. And in Adam, she finds an unexpected connection she didn't even know was missing, if only she can let go and let him in . . .&lt;br /&gt;.</subfield>
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